The 10 best microphones on the market today for video, streaming and podcasts

The 10 best microphones on the market today for video, streaming and podcasts

The 10 best microphones on the market today for video

Microphones are indispensable tools for anyone who wants to pick up sounds in the real world and pass them on to someone. They are therefore not an indispensable equipment only for sound engineers, but also for video makers and content creators in general. In fact, when making videos, streaming or podcasts, the voice of the streamer or speaker is one of the first elements to strike viewers. And you can have the best cameras and the most beautiful locations in the world, but if you have sound that seems to be broadcast from the deep ocean, it's hard to get hold of the audience. For this reason, microphones have become more popular than ever, not only in music recording and dubbing studios, but also in the homes and home studios of those who create content for YouTube, Twitch, Clubhouse or any other platform that allows them to communicate vocally. your own content.

If you are part of this group of authors or are considering a career in this field and want to add a new microphone to your setup, this is the article for you. Are you just plain players tired of using headphones with built-in microphone (or earphones) to talk to the team during your competitive matches? Stop and take a look too, because you may also find something that suits you. In fact, we will soon list the best buy for videos, streaming and podcasts, with an eye to the wallet. Therefore, several USB microphones cannot be missing from this list.

Best vocal microphones of 2021

a close up of a microphone: Our guide on choosing the best microphone for recording vocals. © Billy Cadden Our guide on choosing the best microphone for recording vocals.

Few sounds, musical or otherwise, are as deeply familiar to the human ear as the human voice itself. When recording vocals for any purpose, capturing a lifelike and high-quality sound is the key to translating this familiarity, and doing so requires a microphone that effectively replicates vocal frequencies and dynamic range. There’s a broad variety of vocal microphones on the market today, with some designs being ideal for streaming and podcast use and others designed for versatility in musical applications. In this article, we’ll break down what to look for when shopping for the best microphones for vocals in every creative situation.

Best overall: Neumann TLM 102Best value: Audio-Technica M8000Best versatility: AKG C414 XLIIBest portability: Blue Yeti XBest for broadcast: Shure SM7B

Apart from considering their basic designs, we evaluated a range of vocal microphones primarily based on their durability, sensitivity, and frequency smoothness (that is, if there’s variation in volume between highs and lows). Differing feature sets make each suitable for specific tasks. For example, high durability is desirable for long-term podcasting and streaming use, but sensitivity and smoothness are more important for candid vocal reproduction and usually require more delicate designs. 

The microphone market comprises an enormous range of designs, each suitable for different tasks, but for vocals, we focused on two: condensers and dynamics. Condenser microphones use thin membranes of mylar and other materials to capture sound, which gives them unparalleled sensitivity and helps them excel at reproducing a high level of detail—and makes them ideal for acoustically optimized spaces like studios. Dynamic microphones use moving coils, which makes them great for recording in loud public spaces or untreated rooms.


a close up of a microphone: Hi-fi vocal sound in a small package. © Provided by Popular Science Hi-fi vocal sound in a small package.

Pickup pattern: CardioidFrequency range: 20 Hz - 20 kHzSound pressure level limit: 144 dBImpedance: 50 ohmsWeight: 0.57 pounds

Why it made the cut: The portable Neumann TLM 102 packs a robust and detailed sound rivaling that of much larger condenser microphones.

ProsConsLarge-diaphragm sound in a compact packageLacks any switchable EQ or padsIntegrated pop screenNo shock mount includedLow-noise circuitryLimited to single, cardioid pickup pattern Neumann TLM 102

The Neumann TLM 102 is one of the best microphones for vocals overall. A large-diaphragm condenser microphone that shares a lineage with the Neumann U87 and some of the most legendary microphones in music history, the TLM 102’s design offers detailed audio reproduction and smooth high-end response in a relatively small package.

While the TLM 102 has a frequency response and sound pressure level limit that makes it suitable for capturing even louder musical sources like a drum kit or electric guitar, it boasts a high-frequency boost beginning around 6 kHz that’s ideal for capturing the natural presence of the human voice. Its cardioid, or heart-shaped, pickup pattern limits the microphone’s sound sensitivity to the front and sides, and the design has an integrated pop screen for quick setup and pristine vocal recording.

a close up of a microphone: The design couldn’t be more basic, but it gets the job done. © Audio Technica The design couldn’t be more basic, but it gets the job done.

The TLM 102 is arguably one of the best vocal microphones for the money, but it doesn’t come with switchable pickup patterns, equalization, or volume pads, so the sound it gives you is the sound you get. If you’re looking exclusively for a vocal mic, this shouldn’t be a problem, but your space should be able to accommodate flexible microphone placement or have some level of acoustic treatment if you want to successfully use the TLM 102 on other musical sources.

A studio staple that sounds as good on acoustic guitar, piano, and drums as it does on voice. © AKG A studio staple that sounds as good on acoustic guitar, piano, and drums as it does on voice.


Pickup pattern: CardioidFrequency range: 50 Hz - 14 kHzSound pressure level limit: 145 dBImpedance: 600 ohmsWeight: 0.68 pounds

Why it made the cut: A counterpoint to the more expensive and sensitive studio condenser designs available, the Audio-Technica M8000 is a durable, affordable vocal microphone optimized for handheld use. 

ProsConsTightly focused for live useNo shock mount or storage bagDurable constructionNo switchable sound optionsHandheld designLimited frequency responseGood option for loud sourcesAudio-Technica M8000

Similar in design and frequency response to the Shure SM58, the Audio-Technica M8000 is a lightweight dynamic microphone that uses a moving coil to capture sound and has a relatively high SPL of 145 dB. It has a hypercardioid pickup pattern for incredibly focused sensitivity and good rejection of outside sound, and its full frequency response range is 50 Hz to 14 kHz, with small bumps around 2.5 kHz and 10 kHz that aid in enhancing vocal presence.

a close up of a microphone: Plug-and-play keeps clutter away. © Blue Plug-and-play keeps clutter away.

A no-frills design and durable construction make the M8000 great for live and rehearsal sessions, as well as all-around studio use, especially when you’re on a budget. Apart from being a vocal go-to, it’s also suitable for some high-volume applications like close-miking of drums and guitar amps. And, thanks to its low price point, the M8000 can be put through the rigors of active recording studios and mobile applications and you won’t feel too bad if it’s damaged.

Being a budget microphone, the M8000 includes a single mic clip but doesn’t come with any sound-adjustment options, a shock mount or zippered storage bag. Its focused and somewhat “sterile” sound make it great for capturing basic speech, rock vocals, and electric guitars, but there are better, more sensitive options on the market for critical applications like intimate voiceover or acoustic guitars.


Pickup pattern: Figure-8, hypercardioid, cardioid, wide cardioid, omnidirectionalFrequency range: 20 Hz - 20 kHzSound pressure level limit: 158 dBImpedance: 200 ohmsWeight: 0.66 pounds

Why it made the cut: A high sensitivity combined with a wide array of adjustable settings make the AKG C414 XLII one of the most versatile microphones on the market today.

ProsConsClassic, versatile soundMany options mean a steeper learning curveNine switchable pickup patternsPriceyOnboard pad and bass cutIncludes shock mount, case, and pop filterAKG Pro Audio C414 XLII

If you have a bit more to spend and want to get the most bang for your buck, a more versatile condenser microphone like the AKG C414 XLII is a foolproof option that will perform well in almost every situation. The C414 XLII has an SPL limit of 158 dB and an extended frequency range of 20 Hz to 20,000 Hz, making it a great all-rounder microphone for vocals, guitars, drums, and just about anything else you can throw at it. 

The sound of the C414 XLII is modeled after AKG’s legendary C12, one of the most-used studio condensers in music history, and it has a relatively neutral frequency response with a smooth top end that shines not only on vocals but on drum overheads, orchestral instruments, acoustic guitars, and more. Built for modern studio usage, the C414 XLII is set apart from more niche options by its wide range of onboard switches that include a three-position low-cut filter, a volume pad for louder sources, and a whopping nine switchable pickup patterns. This flexibility offers users an endlessly customizable array of creative options, which makes the C414 XLII a good investment for pro studio use.

a computer mouse on a table: Pro-level from the inside out, with a built-in thread mount, XLR connector, and extensive electrical shielding. © Shure Pro-level from the inside out, with a built-in thread mount, XLR connector, and extensive electrical shielding.

Like all condensers, the C414 XLII is relatively sensitive and may not perform well in noisy environments or untreated rooms. Still, some of this can be mitigated by engaging its more narrow hypercardioid polar pattern. Its large array of options make it one of the most flexible mics on the market, but this may also present a steep learning curve for some users, so there’s a bit of a trade-off there.


Pickup pattern: Cardioid, omnidirectional, figure-8, stereoFrequency range: 20 Hz - 20 kHzSound pressure level limit: 122 dBImpedance: 16 ohmsWeight: 2.8 pounds

Why it made the cut: The all-in-one design of the Blue Yeti X makes it extremely appealing for streaming use, portable use, and other minimalist recording setups.

ProsConsOne-cable design for easy setupRequires software for full functionalityVisual LED meteringAll-in-one control knob has a learning curveFour polar pickup patternsVocal-specific frequency response limits versatilityBuilt-in standBlue Yeti X

Blue is one of the best-known manufacturers of studio mics and their Yeti X—like its big brother, the original Blue Yeti microphone (click here to learn more about the differences)—is arguably one of the most well-known USB condenser microphones on the market. Like most USB microphones, the Yeti X acts as its own computer audio interface and preamp, functioning with a single USB cable and requiring no extra gear beyond a laptop and a pair of headphones.

The Shure SM7B © Jay Cabrera The Shure SM7B's ability to handle high sound pressure levels has us amped to record loud sources.

The Yeti X is a condenser microphone that uses an array of four capsules to capture sound and can change the pattern of sound it captures via a knob on the rear. A multifunction knob on the front allows for adjustment of input gain, headphone volume, and signal blend, and it’s surrounded by 11 LEDs that offer a visual indication of audio level and overloads. The microphone’s frequency response stretches from 20 Hz to 20 kHz and has a slightly pronounced presence bump that’s great for a natural vocal sound.

While it’s compact and built for versatility, the Blue does require a bit of software setup to get the most out of the mic. It’s compatible with two downloadable control interfaces that grant users access to broadcast effects and other microphone controls. The body of the Yeti X can stand alone thanks to its integrated desk stand, but the microphone doesn’t include a carrying case or a windscreen, so users will want to grab these accessories to achieve optimal sound quality and safe handling.


Pickup pattern: CardioidFrequency range: 50 Hz - 20 kHzSound pressure level limit: >180 dBImpedance: 150 ohmsWeight: 1.69 pounds

Why it made the cut: Found in recording studios and broadcast environments worldwide, the Shure SM7B is a durable mic that captures smooth, natural vocal sound.

ProsConsVery durableRequires a high-gain preampSwitchable EQRequires a robust mic standClose-talk windscreenReliable, industry-standard soundShure SM7B

The Shure SM7B is a storied dynamic microphone that features a yoke mount, a rugged housing, and an internal shock mount that keep mechanical noise from handling and adjusting to a minimum (see our full review here). An extra-thick removable windscreen also helps keep vocals pure and unhindered by noise in close-talk applications.

Built by Shure engineers as a souped-up version of their popular SM58 vocal mic, the SM7B features extended low-end response and two rear switches for bass cut and mid boost EQ adjustments. The inclusion of onboard EQ is a great way to tailor the microphone sound on the fly and work with a variety of voices, as well as musical instruments like electric guitars and bass drums. Thanks to its ability to deliver highly consistent vocal sounds in even the most undesirable acoustic spaces, the SM7B is one of the best vocal microphones for podcasters, streamers, and other content creators who want a reliable and predictable microphone to rely upon.

To get the most out of the SM7B and record a usable signal, users will need a microphone preamp with an above-average amount of gain or a booster like the Cloudlifter CL-1. It’s also fairly heavy and designed only for use on a stand or boom arm, so users will need equipment that’s at least as robust as the mic itself.

The Shure SM7B's ability to handle high sound pressure levels has us amped to record loud sources.

The best broadcast microphones for vocal use are typically built differently than live sound microphones and have an emphasis on eliminating ambient noise, handling noise, and other disruptive environmental factors that might otherwise interfere with the recorded sound. For the best podcasting and streaming vocal sound possible, go with a mic like the Shure SM7B that has a heavy-duty housing, swappable windscreens for close-talk applications, and an internal shock mount. If you want USB functionality in your broadcast mic, you might also consider the Shure MV7 (reviewed here) or the Samson Q9U (reviewed here).

If versatility is important to you, you’ll probably want to go with a condenser mic. While dynamic microphones are great for guitar amps, drums, and other loud sources, condensers provide a level of detail and sensitivity that makes them much better suited to all-around duties. If you’re looking for a main studio microphone for recording vocals, acoustic guitar, piano, and other instruments, investing in a condenser mic such as the AKG C414 XLII eliminates the potential future need to buy more microphones as more needs arise.

Not all vocal microphones are portable and most require some form of external preamp and recording interface to function on the go. Vocal microphones with USB connectivity hold all the necessary tech you need to record on the go, which makes them a great choice over traditional designs when you’re packing light and looking to optimize your workflow. For maximum convenience, choose one like the Blue Yeti X USB microphone that comes with its own built-in desk stand.

Q: What’s the best microphone for vocals under $100? If you’re working on a budget with a ceiling of $100, it’s hard to beat the Shure SM58 dynamic mic for vocals. In addition to being a durable handheld design and having an industry-standard sound, this mic also comes with a mic clip and a zippered bag. It’ll work in a pinch on drums and guitar amps, plus it’ll last forever with a little bit of care. Q: What’s the best microphone for vocals and guitar? If you’re looking for the best microphone for recording vocals and guitar, the choice comes down to the type of guitar in question. If you’ll be primarily recording electric guitar through an amp, a dynamic microphone like the Shure SM7B will perform double duty very well thanks to its durability and high SPL handling. If you’re looking for a vocal mic that also works well on acoustic guitar, go with a sensitive condenser mic like the AKG C414 XLII or its less expensive counterpart the AKG C214. Q: What’s the best microphone for live vocals? Whether you end up with the Audio Technica M8000 from our list or a robust workhorse like the Shure SM58, the best microphones for live vocals are undoubtedly dynamic microphones with handheld designs. Dynamic microphones are used for live sound more than any other microphone design, as they can take a fair amount of abuse and are great at rejecting ambient noise from other instruments in the immediate area

Whether you’re leaning toward a dynamic microphone or a condenser microphone for vocal recording, it’s undeniable that the quality of a vocal recording has an enormous impact on how content is perceived. Choosing the best microphone for vocal accuracy and reproduction is the key to capturing a lifelike recording that’s easy on the ears and clear enough to understand. If you’re working in an untreated acoustic space, a dynamic microphone is the best choice due to its relatively low sensitivity, smooth transient response, and good rejection of ambient noise. If you’re looking for the absolute best microphone for vocals, however, condenser microphones deliver superior detail and are the ideal design for critical vocal applications. Whether you’ll be using a dedicated audio interface for your microphone or you’re leaning toward the convenient all-in-one design of a USB microphone for vocals, we hope this list has helped to thin the herd.

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